Wordsworth's Poetical Works, Volume 2: 1798



Edited by William Knight

1896



Table of Contents






Peter Bell: a TaleA

Composed 1798B—Published 1819.

The Poem
What's in a Name?C

Brutus will start a Spirit as soon as Cæsar!D




To Robert Southey, Esq., P.L., Etc., Etc.

My Dear Friend—The Tale of Peter Bell, which I now introduce to your notice, and to that of the Public, has, in its Manuscript state, nearly survived its minority:—for it first saw the light in the summer of 1798. During this long interval, pains have been taken at different times to make the production less unworthy of a favourable reception; or, rather, to fit it for filling permanently a station, however humble, in the Literature of our Country. This has, indeed, been the aim of all my endeavours in Poetry, which, you know, have been sufficiently laborious to prove that I deem the Art not lightly to be approached; and that the attainment of excellence in it, may laudably be made the principal object of intellectual pursuit by any man, who, with reasonable consideration of circumstances, has faith in his own impulses.

The Poem of Peter Bell, as the Prologue will show, was composed under a belief that the Imagination not only does not require for its exercise the intervention of supernatural agency, but that, though such agency be excluded, the faculty may be called forth as imperiously and for kindred results of pleasure, by incidents, within the compass of poetic probability, in the humblest departments of daily life. Since that Prologue was written, you have exhibited most splendid effects of judicious daring, in the opposite and usual course. Let this acknowledgment make my peace with the lovers of the supernatural; and I am persuaded it will be admitted, that to you, as a Master in that province of the art, the following Tale, whether from contrast or congruity, is not an unappropriate offering. Accept it, then, as a public testimony of affectionate admiration from one with whose name yours has been often coupled (to use your own words) for evil and for good; and believe me to be, with earnest wishes that life and health may be granted you to complete the many important works in which you are engaged, and with high respect, Most faithfully yours,

William Wordsworth.

Rydal Mount, April 7, 1819.




[Written at Alfoxden. Founded upon an anecdote which I read in a newspaper, of an ass being found hanging his head over a canal in a wretched posture. Upon examination a dead body was found in the water, and proved to be the body of its master. The countenance, gait, and figure of Peter were taken from a wild rover with whom I walked from Builth, on the river Wye, downwards, nearly as far as the town of Hay. He told me strange stories. It has always been a pleasure to me through life, to catch at every opportunity that has occurred in my rambles of becoming acquainted with this class of people. The number of Peter's wives was taken from the trespasses, in this way, of a lawless creature, who lived in the county of Durham, and used to be attended by many women, sometimes not less than half a dozen, as disorderly as himself, and a story went in the country that he had been heard to say, while they were quarrelling, "Why can't ye be quiet, there's none so many of you?" Benoni, or the child of sorrow, I knew when I was a schoolboy. His mother had been deserted by a gentleman in the neighbourhood, she herself being a gentlewoman by birth. The circumstances of her story were told me by my dear old dame, Ann Tyson, who was her confidante. The lady died broken-hearted. In the woods of Alfoxden I used to take great delight in noticing the habits, tricks, and physiognomy of asses; and I have no doubt that I was thus put upon writing the poem out of liking for the creature that is often so dreadfully abused. The crescent moon, which makes such a figure in the prologue, assumed this character one evening while I was watching its beauty in front of Alfoxden House. I intended this poem for the volume before spoken of, but it was not published for more than twenty years afterwards. The worship of the Methodists, or Ranters, is often heard during the stillness of the summer evening, in the country, with affecting accompaniments of rural beauty. In both the psalmody and voice of the preacher there is, not unfrequently, much solemnity likely to impress the feelings of the rudest characters under favourable circumstances.—I. F.]




Classed by Wordsworth among his "Poems of the Imagination."—ED.




The Poem



Prologue

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There's something in a flying horse,
There's something in a huge balloon;
But through the clouds I'll never float
Until I have a little Boat,
Shaped like the crescent-moon.

And now I have a little Boat,
In shape a very crescent-moon:
Fast through the clouds my boat can sail;
But if perchance your faith should fail,
Look up—and you shall see me soon!

The woods, my Friends, are round you roaring,
Rocking and roaring like a sea;
The noise of danger's in your ears,
And ye have all a thousand fears
Both for my little Boat and me!

Meanwhile untroubled I admire
The pointed horns of my canoe;
And, did not pity touch my breast,
To see how ye are all distrest,
Till my ribs ached, I'd laugh at you!

Away we go, my Boat and I—
Frail man ne'er sate in such another;
Whether among the winds we strive,
Or deep into the clouds we dive,
Each is contented with the other.

Away we go—and what care we
For treasons, tumults, and for wars?
We are as calm in our delight
As is the crescent-moon so bright
Among the scattered stars.

Up goes my Boat among the stars
Through many a breathless field of light,
Through many a long blue field of ether,
Leaving ten thousand stars beneath her:
Up goes my little Boat so bright!

The Crab, the Scorpion, and the Bull—
We pry among them all; have shot
High o'er the red-haired race of Mars,
Covered from top to toe with scars;
Such company I like it not!

The towns in Saturn are decayed,
And melancholy Spectres throng them;—
The Pleiads, that appear to kiss
Each other in the vast abyss,
With joy I sail among them,

Swift Mercury resounds with mirth,
Great Jove is full of stately bowers;
But these, and all that they contain,
What are they to that tiny grain,
That little Earth of ours?

Then back to Earth, the dear green Earth:—
Whole ages if I here should roam,
The world for my remarks and me
Would not a whit the better be;
I've left my heart at home.

See! there she is, the matchless Earth!
There spreads the famed Pacific Ocean!
Old Andes thrusts yon craggy spear
Through the grey clouds; the Alps are here,
Like waters in commotion!

Yon tawny slip is Libya's sands
That silver thread the river Dnieper;
And look, where clothed in brightest green
Is a sweet Isle, of isles the Queen;
Ye fairies, from all evil keep her!

And see the town where I was born!
Around those happy fields we span
In boyish gambols;—I was lost
Where I have been, but on this coast
I feel I am a man.

Never did fifty things at once
Appear so lovely, never, never;—
How tunefully the forests ring!
To hear the earth's soft murmuring
Thus could I hang for ever!

"Shame on you!" cried my little Boat,
"Was ever such a homesick Loon,
Within a living Boat to sit,
And make no better use of it;
A Boat twin-sister of the crescent-moon!

"Ne'er in the breast of full-grown Poet
Fluttered so faint a heart before;—
Was it the music of the spheres
That overpowered your mortal ears?
—Such din shall trouble them no more.

"These nether precincts do not lack
Charms of their own;—then come with me;
I want a comrade, and for you
There's nothing that I would not do;
Nought is there that you shall not see.

"Haste! and above Siberian snows
We'll sport amid the boreal morning;
Will mingle with her lustres gliding
Among the stars, the stars now hiding,
And now the stars adorning.

"I know the secrets of a land
Where human foot did never stray;
Fair is that land as evening skies,
And cool, though in the depth it lies
Of burning Africa.

"Or we'll into the realm of Faery,
Among the lovely shades of things;
The shadowy forms of mountains bare,
And streams, and bowers, and ladies fair,
The shades of palaces and kings!

"Or, if you thirst with hardy zeal
Less quiet regions to explore,
Prompt voyage shall to you reveal
How earth and heaven are taught to feel
The might of magic lore!"

"My little vagrant Form of light,
My gay and beautiful Canoe,
Well have you played your friendly part;
As kindly take what from my heart
Experience forces—then adieu!

"Temptation lurks among your words;
But, while these pleasures you're pursuing
Without impediment or let,
No wonder if you quite forget
What on the earth is doing.

"There was a time when all mankind
Did listen with a faith sincere
To tuneful tongues in mystery versed;
Then Poets fearlessly rehearsed
The wonders of a wild career.

"Go—(but the world's a sleepy world,
And 'tis, I fear, an age too late)
Take with you some ambitious Youth!
For, restless Wanderer! I, in truth,
Am all unfit to be your mate.

"Long have I loved what I behold,
The night that calms, the day that cheers;
The common growth of mother-earth
Suffices me—her tears, her mirth,
Her humblest mirth and tears.

"The dragon's wing, the magic ring,
I shall not covet for my dower,
If I along that lowly way
With sympathetic heart may stray,
And with a soul of power.

"These given, what more need I desire
To stir, to soothe, or elevate?
What nobler marvels than the mind
May in life's daily prospect find,
May find or there create?

"A potent wand doth Sorrow wield;
What spell so strong as guilty Fear!
Repentance is a tender Sprite;
If aught on earth have heavenly might,
'Tis lodged within her silent tear.

"But grant my wishes,—let us now
Descend from this ethereal height;
Then take thy way, adventurous Skiff,
More daring far than Hippogriff,
And be thy own delight!

"To the stone-table in my garden,
Loved haunt of many a summer hour,
The Squire is come: his daughter Bess
Beside him in the cool recess
Sits blooming like a flower.

"With these are many more convened;
They know not I have been so far;—
I see them there, in number nine,
Beneath the spreading Weymouth-pine!
I see them—there they are!

"There sits the Vicar and his Dame;
And there my good friend, Stephen Otter;
And, ere the light of evening fail,
To them I must relate the Tale
Of Peter Bell the Potter."

Off flew the Boat—away she flees,
Spurning her freight with indignation!
"And I, as well as I was able,
On two poor legs, toward my stone-table
Limped on with sore vexation.

"O, here he is!" cried little Bess—
She saw me at the garden-door;
"We've waited anxiously and long,"
They cried, and all around me throng,
Full nine of them or more!

"Reproach me not—your fears be still—
Be thankful we again have met;—
Resume, my Friends! within the shade
Your seats, and quickly shall be paid
The well-remembered debt."

I spake with faltering voice, like one
Not wholly rescued from the pale
Of a wild dream, or worse illusion;
But, straight, to cover my confusion,
Began the promised Tale.

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Part the First

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All by the moonlight river side
Groaned the poor Beast—alas! in vain;
The staff was raised to loftier height,
And the blows fell with heavier weight
As Peter struck—and struck again.

"Hold!" cried the Squire, "against the rules
Of common sense you're surely sinning;
This leap is for us all too bold;
Who Peter was, let that be told,
And start from the beginning."

—"A Potter, Sir, he was by trade,"
Said I, becoming quite collected;
"And wheresoever he appeared,
Full twenty times was Peter feared
For once that Peter was respected.

"He two-and-thirty years or more,
Had been a wild and woodland rover;
Had heard the Atlantic surges roar
On farthest Cornwall's rocky shore,
And trod the cliffs of Dover.

"And he had seen Caernarvon's towers,
And well he knew the spire of Sarum;
And he had been where Lincoln bell
Flings o'er the fen that ponderous knell—
A far-renowned alarum.

"At Doncaster, at York, and Leeds,
And merry Carlisle had he been;
And all along the Lowlands fair,
All through the bonny shire of Ayr;
And far as Aberdeen.

"And he had been at Inverness;
And Peter, by the mountain-rills,
Had danced his round with Highland lasses;
And he had lain beside his asses
On lofty Cheviot Hills:

"And he had trudged through Yorkshire dales,
Among the rocks and winding scars;
Where deep and low the hamlets lie
Beneath their little patch of sky
And little lot of stars:

"And all along the indented coast,
Bespattered with the salt-sea foam;
Where'er a knot of houses lay
On headland, or in hollow bay;—
Sure never man like him did roam!

"As well might Peter, in the Fleet,
Have been fast bound, a begging debtor;—
He travelled here, he travelled there;—
But not the value of a hair
Was heart or head the better.

"He roved among the vales and streams,
In the green wood and hollow dell;
They were his dwellings night and day,—
But nature ne'er could find the way
Into the heart of Peter Bell.

"In vain, through every changeful year,
Did Nature lead him as before;
A primrose by a river's brim
A yellow primrose was to him,
And it was nothing more.

"Small change it made in Peter's heart
To see his gentle panniered train
With more than vernal pleasure feeding,
Where'er the tender grass was leading
Its earliest green along the lane.

"In vain, through water, earth, and air,
The soul of happy sound was spread,
When Peter on some April morn,
Beneath the broom or budding thorn,
Made the warm earth his lazy bed.

"At noon, when, by the forest's edge
He lay beneath the branches high,
The soft blue sky did never melt
Into his heart; he never felt
The witchery of the soft blue sky!

"On a fair prospect some have looked
And felt, as I have heard them say,
As if the moving time had been
A thing as steadfast as the scene
On which they gazed themselves away.

"Within the breast of Peter Bell
These silent raptures found no place;
He was a Carl as wild and rude
As ever hue-and-cry pursued,
As ever ran a felon's race.

"Of all that lead a lawless life,
Of all that love their lawless lives,
In city or in village small,
He was the wildest far of all;—
He had a dozen wedded wives.

"Nay, start not!—wedded wives—and twelve!
But how one wife could e'er come near him,
In simple truth I cannot tell;
For, be it said of Peter Bell,
To see him was to fear him.

"Though Nature could not touch his heart
By lovely forms, and silent weather,
And tender sounds, yet you might see
At once, that Peter Bell and she
Had often been together.

"A savage wildness round him hung
As of a dweller out of doors;
In his whole figure and his mien
A savage character was seen
Of mountains and of dreary moors.

"To all the unshaped half-human thoughts
Which solitary Nature feeds
'Mid summer storms or winter's ice,
Had Peter joined whatever vice
The cruel city breeds.

"His face was keen as is the wind
That cuts along the hawthorn-fence;
Of courage you saw little there,
But, in its stead, a medley air
Of cunning and of impudence.

"He had a dark and sidelong walk,
And long and slouching was his gait;
Beneath his looks so bare and bold,
You might perceive, his spirit cold
Was playing with some inward bait.

"His forehead wrinkled was and furred;
A work, one half of which was done
By thinking of his 'whens,' and 'hows';
And half, by knitting of his brows
Beneath the glaring sun.

"There was a hardness in his cheek,
There was a hardness in his eye,
As if the man had fixed his face,
In many a solitary place,
Against the wind and open sky!"

————

One night, (and now my little Bess!
We've reached at last the promised Tale;)
One beautiful November night,
When the full moon was shining bright
Upon the rapid river Swale,

Along the river's winding banks
Peter was travelling all alone;
Whether to buy or sell, or led
By pleasure running in his head,
To me was never known.

He trudged along through copse and brake,
He trudged along o'er hill and dale;
Nor for the moon cared he a tittle,
And for the stars he cared as little,
And for the murmuring river Swale.

But, chancing to espy a path
That promised to cut short the way;
As many a wiser man hath done,
He left a trusty guide for one
That might his steps betray.

To a thick wood he soon is brought
Where cheerily his course he weaves,
And whistling loud may yet be heard,
Though often buried, like a bird
Darkling, among the boughs and leaves.

But quickly Peter's mood is changed,
And on he drives with cheeks that burn
In downright fury and in wrath;—
There's little sign the treacherous path
Will to the road return!

The path grows dim, and dimmer still;
Now up, now down, the Rover wends,
With all the sail that he can carry,
Till brought to a deserted quarry—
And there the pathway ends.

He paused—for shadows of strange shape,
Massy and black, before him lay;
But through the dark, and through the cold,
And through the yawning fissures old,
Did Peter boldly press his way

Right through the quarry;—and behold
A scene of soft and lovely hue!
Where blue and grey, and tender green,
Together make as sweet a scene
As ever human eye did view.

Beneath the clear blue sky he saw
A little field of meadow ground;
But field or meadow name it not;
Call it of earth a small green plot,
With rocks encompassed round.

The Swale flowed under the grey rocks,
But he flowed quiet and unseen;—
You need a strong and stormy gale
To bring the noises of the Swale
To that green spot, so calm and green!

And is there no one dwelling here,
No hermit with his beads and glass?
And does no little cottage look
Upon this soft and fertile nook?
Does no one live near this green grass?

Across the deep and quiet spot
Is Peter driving through the grass—
And now has reached the skirting trees;
When, turning round his head, he sees
A solitary Ass.

"A prize!" cries Peter—but he first
Must spy about him far and near:
There's not a single house in sight,
No woodman's hut, no cottage light—
Peter, you need not fear!

There's nothing to be seen but woods,
And rocks that spread a hoary gleam,
And this one Beast, that from the bed
Of the green meadow hangs his head
Over the silent stream.

His head is with a halter bound;
The halter seizing, Peter leapt
Upon the Creature's back, and plied
With ready heels his shaggy side;
But still the Ass his station kept.

Then Peter gave a sudden jerk,
A jerk that from a dungeon-floor
Would have pulled up an iron ring;
But still the heavy-headed Thing
Stood just as he had stood before!

Quoth Peter, leaping from his seat,
"There is some plot against me laid";
Once more the little meadow-ground
And all the hoary cliffs around
He cautiously surveyed.

All, all is silent—rocks and woods,
All still and silent—far and near!
Only the Ass, with motion dull,
Upon the pivot of his skull
Turns round his long left ear.

Thought Peter, What can mean all this?
Some ugly witchcraft must be here!
—Once more the Ass, with motion dull,
Upon the pivot of his skull
Turned round his long left ear.

Suspicion ripened into dread;
Yet with deliberate action slow,
His staff high-raising, in the pride
Of skill, upon the sounding hide,
He dealt a sturdy blow.

The poor Ass staggered with the shock;
And then, as if to take his ease,
In quiet uncomplaining mood,
Upon the spot where he had stood,
Dropped gently down upon his knees;

As gently on his side he fell;
And by the river's brink did lie;
And, while he lay like one that mourned,
The patient Beast on Peter turned
His shining hazel eye.

'Twas but one mild, reproachful look,
A look more tender than severe;
And straight in sorrow, not in dread,
He turned the eye-ball in his head
Towards the smooth river deep and clear.

Upon the Beast the sapling rings;
His lank sides heaved, his limbs they stirred;
He gave a groan, and then another,
Of that which went before the brother,
And then he gave a third.

All by the moonlight river side
He gave three miserable groans;
And not till now hath Peter seen
How gaunt the Creature is,—how lean
And sharp his staring bones!

With legs stretched out and stiff he lay:—
No word of kind commiseration
Fell at the sight from Peter's tongue;
With hard contempt his heart was wrung,
With hatred and vexation.

The meagre beast lay still as death;
And Peter's lips with fury quiver;
Quoth he, "You little mulish dog,
I'll fling your carcass like a log
Head-foremost down the river!"

An impious oath confirmed the threat—
Whereat from the earth on which he lay
To all the echoes, south and north,
And east and west, the Ass sent forth
A long and clamorous bray!

This outcry, on the heart of Peter,
Seems like a note of joy to strike,—
Joy at the heart of Peter knocks;
But in the echo of the rocks
Was something Peter did not like.

Whether to cheer his coward breast,
Or that he could not break the chain,
In this serene and solemn hour,
Twined round him by demoniac power,
To the blind work he turned again.

Among the rocks and winding crags;
Among the mountains far away;
Once more the Ass did lengthen out
More ruefully a deep-drawn shout,
The hard dry see-saw of his horrible bray!

What is there now in Peter's heart!
Or whence the might of this strange sound?
The moon uneasy looked and dimmer,
The broad blue heavens appeared to glimmer,
And the rocks staggered all around—

From Peter's hand the sapling dropped!
Threat has he none to execute;
"If any one should come and see
That I am here, they'll think," quoth he,
"I'm helping this poor dying brute."

He scans the Ass from limb to limb,
And ventures now to uplift his eyes;
More steady looks the moon, and clear,
More like themselves the rocks appear
And touch more quiet skies.

His scorn returns—his hate revives;
He stoops the Ass's neck to seize
With malice—that again takes flight;
For in the pool a startling sight
Meets him, among the inverted trees.

Is it the moon's distorted face?
The ghost-like image of a cloud?
Is it a gallows there portrayed?
Is Peter of himself afraid?
Is it a coffin,—or a shroud?

A grisly idol hewn in stone?
Or imp from witch's lap let fall?
Perhaps a ring of shining fairies?
Such as pursue their feared vagaries
In sylvan bower, or haunted hall?

Is it a fiend that to a stake
Of fire his desperate self is tethering?
Or stubborn spirit doomed to yell
In solitary ward or cell,
Ten thousand miles from all his brethren?

Never did pulse so quickly throb,
And never heart so loudly panted;
He looks, he cannot choose but look;
Like some one reading in a book—
A book that is enchanted.

Ah, well-a-day for Peter Bell!
He will be turned to iron soon,
Meet Statue for the court of Fear!
His hat is up—and every hair
Bristles, and whitens in the moon!

He looks, he ponders, looks again;
He sees a motion—hears a groan;
His eyes will burst—his heart will break—
He gives a loud and frightful shriek,
And back he falls, as if his life were flown!




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Part Second

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We left our Hero in a trance,
Beneath the alders, near the river;
The Ass is by the river-side,
And, where the feeble breezes glide,
Upon the stream the moonbeams quiver.

A happy respite! but at length
He feels the glimmering of the moon;
Wakes with glazed eye, and feebly sighing—
To sink, perhaps, where he is lying,
Into a second swoon!

He lifts his head, he sees his staff;
He touches—'tis to him a treasure!
Faint recollection seems to tell
That he is yet where mortals dwell—
A thought received with languid pleasure!

His head upon his elbow propped,
Becoming less and less perplexed,
Sky-ward he looks—to rock and wood—
And then—upon the glassy flood
His wandering eye is fixed.

Thought he, that is the face of one
In his last sleep securely bound!
So toward the stream his head he bent,
And downward thrust his staff, intent
The river's depth to sound.

Now—like a tempest-shattered bark,
That overwhelmed and prostrate lies,
And in a moment to the verge
Is lifted of a foaming surge—
Full suddenly the Ass doth rise!

His staring bones all shake with joy,
And close by Peter's side he stands:
While Peter o'er the river bends,
The little Ass his neck extends,
And fondly licks his hands.

Such life is in the Ass's eyes,
Such life is in his limbs and ears;
That Peter Bell, if he had been
The veriest coward ever seen,
Must now have thrown aside his fears.

The Ass looks on—and to his work
Is Peter quietly resigned;
He touches here—he touches there—
And now among the dead man's hair
His sapling Peter has entwined.

He pulls—and looks—and pulls again;
And he whom the poor Ass had lost,
The man who had been four days dead,
Head-foremost from the river's bed
Uprises like a ghost!

And Peter draws him to dry land;
And through the brain of Peter pass
Some poignant twitches, fast and faster;
"No doubt," quoth he, "he is the Master
Of this poor miserable Ass!"

The meagre shadow that looks on—
What would he now? what is he doing?
His sudden fit of joy is flown,—
He on his knees hath laid him down,
As if he were his grief renewing;

But no—that Peter on his back
Must mount, he shows well as he can:
Thought Peter then, come weal or woe
I'll do what he would have me do,
In pity to this poor drowned man.

With that resolve he boldly mounts
Upon the pleased and thankful Ass;
And then, without a moment's stay,
That earnest Creature turned away,
Leaving the body on the grass.

Intent upon his faithful watch,
The Beast four days and nights had past;
A sweeter meadow ne'er was seen,
And there the Ass four days had been,
Nor ever once did break his fast:

Yet firm his step, and stout his heart;
The mead is crossed—the quarry's mouth
Is reached; but there the trusty guide
Into a thicket turns aside,
And deftly ambles towards the south.

When hark a burst of doleful sound!
And Peter honestly might say,
The like came never to his ears,
Though he has been, full thirty years,
A rover—night and day!

'Tis not a plover of the moors,
'Tis not a bittern of the fen;
Nor can it be a barking fox,
Nor night-bird chambered in the rocks,
Nor wild-cat in a woody glen!

The Ass is startled—and stops short
Right in the middle of the thicket;
And Peter, wont to whistle loud
Whether alone or in a crowd,
Is silent as a silent cricket.

What ails you now, my little Bess?
Well may you tremble and look grave!
This cry—that rings along the wood,
This cry—that floats adown the flood,
Comes from the entrance of a cave:

I see a blooming Wood-boy there,
And if I had the power to say
How sorrowful the wanderer is,
Your heart would be as sad as his
Till you had kissed his tears away!

Grasping a hawthorn branch in hand,
All bright with berries ripe and red,
Into the cavern's mouth he peeps;
Thence back into the moonlight creeps;
Whom seeks he—whom?—the silent dead:

His father!—Him doth he require—
Him hath he sought with fruitless pains,
Among the rocks, behind the trees;
Now creeping on his hands and knees,
Now running o'er the open plains.

And hither is he come at last,
When he through such a day has gone,
By this dark cave to be distrest
Like a poor bird—her plundered nest
Hovering around with dolorous moan!

Of that intense and piercing cry
The listening Ass conjectures well;
Wild as it is, he there can read
Some intermingled notes that plead
With touches irresistible.

But Peter—when he saw the Ass
Not only stop but turn, and change
The cherished tenor of his pace
That lamentable cry to chase—
It wrought in him conviction strange;

A faith that, for the dead man's sake
And this poor slave who loved him well,
Vengeance upon his head will fall,
Some visitation worse than all
Which ever till this night befel.

Meanwhile the Ass to reach his home,
Is striving stoutly as he may;
But, while he climbs the woody hill,
The cry grows weak—and weaker still;
And now at last it dies away.

So with his freight the Creature turns
Into a gloomy grove of beech,
Along the shade with footsteps true
Descending slowly, till the two
The open moonlight reach.

And there, along the narrow dell,
A fair smooth pathway you discern,
A length of green and open road—
As if it from a fountain flowed—
Winding away between the fern.

The rocks that tower on either side
Build up a wild fantastic scene;
Temples like those among the Hindoos,
And mosques, and spires, and abbey-windows,
And castles all with ivy green!

And, while the Ass pursues his way,
Along this solitary dell,
As pensively his steps advance,
The mosques and spires change countenance,
And look at Peter Bell!

That unintelligible cry
Hath left him high in preparation,—
Convinced that he, or soon or late,
This very night will meet his fate—
And so he sits in expectation!

The strenuous Animal hath clomb
With the green path; and now he wends
Where, shining like the smoothest sea,
In undisturbed immensity
A level plain extends.

But whence this faintly-rustling sound
By which the journeying pair are chased?
—A withered leaf is close behind,
Light plaything for the sportive wind
Upon that solitary waste.

When Peter spied the moving thing,
It only doubled his distress;
"Where there is not a bush or tree,
The very leaves they follow me—
So huge hath been my wickedness!"

To a close lane they now are come,
Where, as before, the enduring Ass
Moves on without a moment's stop,
Nor once turns round his head to crop
A bramble-leaf or blade of grass.

Between the hedges as they go,
The white dust sleeps upon the lane;
And Peter, ever and anon
Back-looking, sees, upon a stone,
Or in the dust, a crimson stain.

A stain—as of a drop of blood
By moonlight made more faint and wan;
Ha! why these sinkings of despair?
He knows not how the blood comes there—
And Peter is a wicked man.

At length he spies a bleeding wound,
Where he had struck the Ass's head;
He sees the blood, knows what it is,—
A glimpse of sudden joy was his,
But then it quickly fled;

Of him whom sudden death had seized
He thought,—of thee, O faithful Ass!
And once again those ghastly pains,
Shoot to and fro through heart and reins,
And through his brain like lightning pass.










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Part Third

text variant footnote line number
I've heard of one, a gentle Soul,
Though given to sadness and to gloom,
And for the fact will vouch,—one night
It chanced that by a taper's light
This man was reading in his room;

Bending, as you or I might bend
At night o'er any pious book,
When sudden blackness overspread
The snow-white page on which he read,
And made the good man round him look.

The chamber walls were dark all round,—
And to his book he turned again;
—The light had left the lonely taper,
And formed itself upon the paper
Into large letters—bright and plain!

The godly book was in his hand—
And, on the page, more black than coal,
Appeared, set forth in strange array,
A word—which to his dying day
Perplexed the good man's gentle soul.

The ghostly word, thus plainly seen,
Did never from his lips depart;
But he hath said, poor gentle wight!
It brought full many a sin to light
Out of the bottom of his heart.

Dread Spirits! to confound the meek
Why wander from your course so far,
Disordering colour, form, and stature!
—Let good men feel the soul of nature,
And see things as they are.

Yet, potent Spirits! well I know,
How ye, that play with soul and sense,
Are not unused to trouble friends
Of goodness, for most gracious ends—
And this I speak in reverence!

But might I give advice to you,
Whom in my fear I love so well;
From men of pensive virtue go,
Dread Beings! and your empire show
On hearts like that of Peter Bell.

Your presence often have I felt
In darkness and the stormy night;
And, with like force, if need there be,
Ye can put forth your agency
When earth is calm, and heaven is bright.

Then, coming from the wayward world,
That powerful world in which ye dwell,
Come, Spirits of the Mind! and try,
To-night, beneath the moonlight sky,
What may be done with Peter Bell!

—O, would that some more skilful voice
My further labour might prevent!
Kind Listeners, that around me sit,
I feel that I am all unfit
For such high argument.

I've played, I've danced, with my narration;
I loitered long ere I began:
Ye waited then on my good pleasure;
Pour out indulgence still, in measure
As liberal as ye can!

Our Travellers, ye remember well,
Are thridding a sequestered lane;
And Peter many tricks is trying,
And many anodynes applying,
To ease his conscience of its pain.

By this his heart is lighter far;
And, finding that he can account
So snugly for that crimson stain,
His evil spirit up again
Does like an empty bucket mount.

And Peter is a deep logician
Who hath no lack of wit mercurial;
"Blood drops—leaves rustle—yet," quoth he,
"This poor man never, but for me,
Could have had Christian burial.

"And, say the best you can, 'tis plain,
That here has been some wicked dealing;
No doubt the devil in me wrought;
I'm not the man who could have thought
An Ass like this was worth the stealing!"

So from his pocket Peter takes
His shining horn tobacco-box;
And, in a light and careless way,
As men who with their purpose play,
Upon the lid he knocks.

Let them whose voice can stop the clouds,
Whose cunning eye can see the wind,
Tell to a curious world the cause
Why, making here a sudden pause,
The Ass turned round his head, and grinned.

Appalling process! I have marked
The like on heath, in lonely wood;
And, verily, have seldom met
A spectacle more hideous—yet
It suited Peter's present mood.

And, grinning in his turn, his teeth
He in jocose defiance showed—
When, to upset his spiteful mirth,
A murmur, pent within the earth,
In the dead earth beneath the road,

Rolled audibly! it swept along,
A muffled noise—a rumbling sound!—
'Twas by a troop of miners made,
Plying with gunpowder their trade,
Some twenty fathoms underground.

Small cause of dire effect! for, surely,
If ever mortal, King or Cotter,
Believed that earth was charged to quake
And yawn for his unworthy sake,
'Twas Peter Bell the Potter.

But, as an oak in breathless air
Will stand though to the centre hewn;
Or as the weakest things, if frost
Have stiffened them, maintain their post;
So he, beneath the gazing moon!—

The Beast bestriding thus, he reached
A spot where, in a sheltering cove,
A little chapel stands alone,
With greenest ivy overgrown,
And tufted with an ivy grove;

Dying insensibly away
From human thoughts and purposes,
It seemed—wall, window, roof and tower—
To bow to some transforming power,
And blend with the surrounding trees.

As ruinous a place it was,
Thought Peter, in the shire of Fife
That served my turn, when following still
From land to land a reckless will
I married my sixth wife!

The unheeding Ass moves slowly on,
And now is passing by an inn
Brim-full of a carousing crew,
That make, with curses not a few,
An uproar and a drunken din.

I cannot well express the thoughts
Which Peter in those noises found;—
A stifling power compressed his frame,
While-as a swimming darkness came
Over that dull and dreary sound.

For well did Peter know the sound;
The language of those drunken joys
To him, a jovial soul, I ween,
But a few hours ago, had been
A gladsome and a welcome noise.

Now, turned adrift into the past,
He finds no solace in his course;
Like planet-stricken men of yore,
He trembles, smitten to the core
By strong compunction and remorse.

But, more than all, his heart is stung
To think of one, almost a child;
A sweet and playful Highland girl,
As light and beauteous as a squirrel,
As beauteous and as wild!

Her dwelling was a lonely house,
A cottage in a heathy dell;
And she put on her gown of green,
And left her mother at sixteen,
And followed Peter Bell.

But many good and pious thoughts
Had she; and, in the kirk to pray,
Two long Scotch miles, through rain or snow,
To kirk she had been used to go,
Twice every Sabbath-day.

And, when she followed Peter Bell,
It was to lead an honest life;
For he, with tongue not used to falter,
Had pledged his troth before the altar
To love her as his wedded wife.

A mother's hope is hers;—but soon
She drooped and pined like one forlorn;
From Scripture she a name did borrow;
Benoni, or the child of sorrow,
She called her babe unborn.

For she had learned how Peter lived,
And took it in most grievous part;
She to the very bone was worn,
And, ere that little child was born,
Died of a broken heart.

And now the Spirits of the Mind
Are busy with poor Peter Bell;
Upon the rights of visual sense
Usurping, with a prevalence
More terrible than magic spell.

Close by a brake of flowering furze
(Above it shivering aspens play)
He sees an unsubstantial creature,
His very self in form and feature,
Not four yards from the broad highway:

And stretched beneath the furze he sees
The Highland girl—it is no other;
And hears her crying as she cried,
The very moment that she died,
"My mother! oh my mother!"

The sweat pours down from Peter's face,
So grievous is his heart's contrition;
With agony his eye-balls ache
While he beholds by the furze-brake
This miserable vision!

Calm is the well-deserving brute,
His peace hath no offence betrayed;
But now, while down that slope he wends,
A voice to Peter's ear ascends,
Resounding from the woody glade:

The voice, though clamorous as a horn
Re-echoed by a naked rock,
Comes from that tabernacle—List!
Within, a fervent Methodist
Is preaching to no heedless flock!

"Repent! repent!" he cries aloud,
"While yet ye may find mercy;—strive
To love the Lord with all your might;
Turn to him, seek him day and night,
And save your souls alive!

"Repent! repent! though ye have gone,
Through paths of wickedness and woe,
After the Babylonian harlot;
And, though your sins be red as scarlet,
They shall be white as snow!"

Even as he passed the door, these words
Did plainly come to Peter's ears;
And they such joyful tidings were,
The joy was more than he could bear!—
He melted into tears.

Sweet tears of hope and tenderness!
And fast they fell, a plenteous shower!
His nerves, his sinews seemed to melt;
Through all his iron frame was felt
A gentle, a relaxing, power!

Each fibre of his frame was weak;
Weak all the animal within;
But, in its helplessness, grew mild
And gentle as an infant child,
An infant that has known no sin.

'Tis said, meek Beast! that, through Heaven's grace,
He not unmoved did notice now
The cross upon thy shoulder scored,
For lasting impress, by the Lord
To whom all human-kind shall bow;

Memorial of his touch—that day
When Jesus humbly deigned to ride,
Entering the proud Jerusalem,
By an immeasurable stream
Of shouting people deified!

Meanwhile the persevering Ass,
Turned towards a gate that hung in view
Across a shady lane; his chest
Against the yielding gate he pressed
And quietly passed through.

And up the stony lane he goes;
No ghost more softly ever trod;
Among the stones and pebbles, he
Sets down his hoofs inaudibly,
As if with felt his hoofs were shod.

Along the lane the trusty Ass
Went twice two hundred yards or more,
And no one could have guessed his aim,—
Till to a lonely house he came,
And stopped beside the door.

Thought Peter, 'tis the poor man's home!
He listens—not a sound is heard
Save from the trickling household rill;
But, stepping o'er the cottage-sill,
Forthwith a little Girl appeared.

She to the Meeting-house was bound
In hopes some tidings there to gather:
No glimpse it is, no doubtful gleam;
She saw—and uttered with a scream,
"My father! here's my father!"

The very word was plainly heard,
Heard plainly by the wretched Mother—
Her joy was like a deep affright:
And forth she rushed into the light,
And saw it was another!

And, instantly, upon the earth,
Beneath the full moon shining bright,
Close to the Ass's feet she fell;
At the same moment Peter Bell
Dismounts in most unhappy plight.

As he beheld the Woman lie
Breathless and motionless, the mind
Of Peter sadly was confused;
But, though to such demands unused,
And helpless almost as the blind,

He raised her up; and, while he held
Her body propped against his knee,
The Woman waked—and when she spied
The poor Ass standing by her side,
She moaned most bitterly.

"Oh! God be praised—my heart's at ease—
For he is dead—I know it well!"
—At this she wept a bitter flood;
And, in the best way that he could,
His tale did Peter tell.

He trembles—he is pale as death;
His voice is weak with perturbation;
He turns aside his head, he pauses;
Poor Peter from a thousand causes,
Is crippled sore in his narration.

At length she learned how he espied
The Ass in that small meadow-ground;
And that her Husband now lay dead,
Beside that luckless river's bed
In which he had been drowned.

A piercing look the Widow cast
Upon the Beast that near her stands;
She sees 'tis he, that 'tis the same;
She calls the poor Ass by his name,
And wrings, and wrings her hands.

"O wretched loss—untimely stroke!
If he had died upon his bed!
He knew not one forewarning pain;
He never will come home again—
Is dead, for ever dead!"

Beside the Woman Peter stands;
His heart is opening more and more;
A holy sense pervades his mind;
He feels what he for human-kind
Had never felt before.

At length, by Peter's arm sustained,
The Woman rises from the ground—
"Oh, mercy! something must be done,
My little Rachel, you must run,—
Some willing neighbour must be found.

"Make haste—my little Rachel—do,
The first you meet with—bid him come,
Ask him to lend his horse to-night,
And this good Man, whom Heaven requite,
Will help to bring the body home."

Away goes Rachel weeping loud;—
An Infant, waked by her distress,
Makes in the house a piteous cry;
And Peter hears the Mother sigh,
"Seven are they, and all fatherless!"

And now is Peter taught to feel
That man's heart is a holy thing;
And Nature, through a world of death,
Breathes into him a second breath,
More searching than the breath of spring.

Upon a stone the Woman sits
In agony of silent grief—
From his own thoughts did Peter start;
He longs to press her to his heart,
From love that cannot find relief.

But roused, as if through every limb
Had past a sudden shock of dread,
The Mother o'er the threshold flies,
And up the cottage stairs she hies,
And on the pillow lays her burning head.

And Peter turns his steps aside
Into a shade of darksome trees,
Where he sits down, he knows not how,
With his hands pressed against his brow,
His elbows on his tremulous knees.

There, self-involved, does Peter sit
Until no sign of life he makes,
As if his mind were sinking deep
Through years that have been long asleep!
The trance is passed away—he wakes;

He lifts his head—and sees the Ass
Yet standing in the clear moonshine;
"When shall I be as good as thou?
Oh! would, poor beast, that I had now
A heart but half as good as thine!"

But He—who deviously hath sought
His Father through the lonesome woods,
Hath sought, proclaiming to the ear
Of night his grief and sorrowful fear—
He comes, escaped from fields and floods;—

With weary pace is drawing nigh;
He sees the Ass—and nothing living
Had ever such a fit of joy
As hath this little orphan Boy,
For he has no misgiving!

Forth to the gentle Ass he springs,
And up about his neck he climbs;
In loving words he talks to him,
He kisses, kisses face and limb,—
He kisses him a thousand times!

This Peter sees, while in the shade
He stood beside the cottage-door;
And Peter Bell, the ruffian wild,
Sobs loud, he sobs even like a child,
"Oh! God, I can endure no more!"

—Here ends my Tale: for in a trice
Arrived a neighbour with his horse;
Peter went forth with him straightway;
And, with due care, ere break of day,
Together they brought back the Corse.

And many years did this poor Ass,
Whom once it was my luck to see
Cropping the shrubs of Leming-Lane,
Help by his labour to maintain
The Widow and her family.

And Peter Bell, who, till that night,
Had been the wildest of his clan,
Forsook his crimes, renounced his folly,
And, after ten months' melancholy,
Became a good and honest man.



Contents







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Variant 1:  
1827
And something
1819
return


Variant 2:  
1849
Whose shape is like
1819
For shape just like
1845
return


Variant 3:  
1845
The noise of danger fills
1819
return


Variant 4:  
1827
Meanwhile I from the helm admire
1819
... I soberly admire
C.
return


Variant 5:  
1827
Or deep into the heavens
1819
Or into massy clouds
1820
return


Variant 6:  
1820
... between ...
1819
return


Variant 7:  
1827
... are ill-built,
But proud let him be who has seen them;

1819
return


Variant 8:  
1827
... between ...
1819
return


Variant 9:  
1827
That darling speck ...
1819
return


Variant 10:  
1836
And there it is, ...
1819
return


Variant 11:  
1827
... heartless ...
1819
return


Variant 12:  
In the editions of 1819 and 1820 only.
Out—out—and, like a brooding hen,
Beside your sooty hearth-stone cower;
Go, creep along the dirt, and pick
Your way with your good walking-stick,
Just three good miles an hour!
return


Variant 13:  
1827
... the land ...
1819
return


Variant 14:  
1845
My radiant Pinnace, you forget
1819
return


Variant 15:  
1827
For I myself, in very truth,
1819
return


Variant 16:  
1845
Off flew my sparkling Boat in scorn,
Yea in a trance of indignation!

1819
Spurning her freight with indignation!
1820
return


Variant 17:  
1845
... to my stone-table
Limp'd on with some vexation.

1819
... tow'rd my stone-table
1827
return


Variant 18:  
1827
... promptly ...
1819
return


Variant 19:  
1827
Breath fail'd me as I spake—but soon
With lips, no doubt, and visage pale,
And sore too from a slight contusion,
Did I, to cover my confusion,
Begin the promised Tale.




1819
return


Variant 20:  
1820
All by the moonlight river side
It gave three miserable groans;
"'Tis come then to a pretty pass,"
Said Peter to the groaning Ass,
"But I will bang your bones!"




1819
return


Variant 21:  
In the two editions of 1819 only.
"Good Sir!"—the Vicar's voice exclaim'd,
"You rush at once into the middle;"
And little Bess, with accent sweeter,
Cried, "O dear Sir! but who is Peter?"
Said Stephen,—"'Tis a downright riddle!"
return


Variant 22:  
1836
The Squire said, "Sure as paradise
Was lost to man by Adam's sinning,
This leap is for us all too bold;


1819
Like winds that lash the waves, or smite
The woods, the autumnal foliage thinning—
"Hold!" said the Squire, "I pray you, hold!


1820
The woods, autumnal foliage thinning—
1827
return


Variant 23:  
1845
... its ponderous knell,
Its far-renowned alarum!

1819
... his ponderous knell,
A far-renowned alarum!

1836
... that ponderous knell—
His far-renowned alarum!

1840
return


Variant 24:  
1820
With Peter Bell, I need not tell
That this had never been the case;—

1819
return


Variant 25:  
1819
... placid ...
1820
The text of 1827 returns to that of 1819.
return


Variant 26:  
1836
... cheerfully ...
1819
return


Variant 27:  
1827
Till he is brought to an old quarry,
1819
return


Variant 28:  
In the two editions of 1819 only.
"What! would'st thou daunt me grisly den?
Back must I, having come so far?
Stretch as thou wilt thy gloomy jaws,
I'll on, nor would I give two straws
For lantern or for star!"
return


Variant 29:  
1820
And so, where on the huge rough stones
The black and massy shadows lay,
And through the dark, ...


1819
return


Variant 30:  
1827
... made ...
1819
return


Variant 31:  
In the two editions of 1819 only.
Now you'll suppose that Peter Bell
Felt small temptation here to tarry,
And so it was,—but I must add,
His heart was not a little glad
When he was out of the old quarry.
return


Variant 32:  
1827
Across that ...
1819
return


Variant 33:  
1836
And now he is among the trees;
1819
return


Variant 34:  
"No doubt I'm founder'd in these woods—
For once," quoth he, "I will be wise,
With better speed I'll back again—
And, lest the journey should prove vain,
Will take yon Ass, my lawful prize!"

Off Peter hied,—"A comely beast!
Though not so plump as he might be;
My honest friend, with such a platter,
You should have been a little fatter,
But come, Sir, come with me!"










1819
(The first of these stanzas was omitted in 1827 and afterwards; the second was withdrawn in 1820.)
return


Variant 35:  
1836
But first doth Peter deem it fit
To spy about him far and near;

1819
"A prize," cried Peter, stepping back
To spy ...

1827
return


Variant 36:  
1827
... Ass's back, ...
1819
return


Variant 37:  
1836
With ready heel the creature's side;
1819
With ready heel his shaggy side;
1827
return


Variant 38:  
In the editions of 1819 to 1832 only.
"What's this!" cried Peter, brandishing
A new-peel'd sapling white as cream;
The Ass knew well what Peter said,
But, as before, hung down his head
Over the silent stream.




1819
A new-peeled sapling;—though, I deem,
The Ass knew well what Peter said,
He, as before, ...


1920
... —though I deem,
This threat was understood full well,
Firm, as before, the Sentinel
Stood by the silent stream.



1827
return


Variant 39:  
1827
"I'll cure you of these desperate tricks"—
And, with deliberate action slow,
His staff high-raising, in the pride
Of skill, upon the Ass's hide



C. and 1819.
return


Variant 40:  
1836
What followed?—yielding to the shock
The Ass, as if ...

1819
return


Variant 41:  
1836
And then upon ...
1819
return


Variant 42:  
1840
... as ...
1819
return


Variant 43:  
1819
The Beast on his tormentor turned
A shining hazel eye.

1827
His shining ...
1832
The edition of 1836 returns to the text of 1819.
return


Variant 44:  
1836
Towards the river ...
1819
return


Variant 45:  
1832
Heav'd his lank sides, ...
1819
return


Variant 46:  
1836. In the two editions of 1819 this stanza formed two stanzas, thus:
All by the moonlight river side
He gave three miserable groans,
"'Tis come then to a pretty pass,"
Said Peter to the groaning ass,
"But I will bang your bones!"

And Peter halts to gather breath,
And now full clearly was it shown
(What he before in part had seen)
How gaunt was the poor Ass and lean,
Yea wasted to a skeleton!










1819
In the editions of 1820-1832, only the second of these stanzas is retained, with the following change of text in 1827:
And, while he halts, was clearly shown
(What he before in part had seen)
How gaunt the Creature was, and lean,


1827
In the final text of 1836 the two stanzas of 1819 are compressed into one (ll. 446-50).
return


Variant 47:  
1836
But, while upon the ground he lay,
1819
That instant, while outstretched he lay,
1827
return


Variant 48:  
1836
A loud and piteous bray!
1819
return


Variant 49:  
1820
Joy on ...
1819
return


Variant 50:  
1836
... an endless shout,
The long dry see-saw ...

1819
return


Variant 51:  
1836
And Peter now uplifts his eyes;
Steady the moon doth look and clear,
And like themselves the rocks appear,
And tranquil are the skies,



1819
And quiet are the skies.
1820
return


Variant 52:  
1836
Whereat, in resolute mood, once more
He stoops the Ass's neck to seize—
Foul purpose, quickly put to flight!
For in the pool a startling sight
Meets him, beneath the shadowy trees.




1819
return


Variant 53:  
1819
... the gallows ...
1832
The text of 1836 returns to that of 1819.
return


Variant 54:  
1836
Or a gay ring of shining fairies,
Such as pursue their brisk vagaries

1819
return


Variant 55:  
In the two editions of 1819 only.
Is it a party in a parlour?
Cramm'd just as they on earth were cramm'd—
Some sipping punch, some sipping tea,
But, as you by their faces see,
All silent and all damn'd!a
return


Variant 56:  
1827
A throbbing pulse the Gazer hath—
Puzzled he was, and now is daunted;

1819
return


Variant 57:  
1836
Like one intent upon a book—
1819
return


Variant 58:  
1836
And drops, a senseless weight,
1819
return


Variant 59:  
1827
A happy respite!—but he wakes;—
And feels the glimmering of the moon—
And to stretch forth his hands is trying;—
Sure, when he knows where he is lying,
He'll sink into a second swoon.




1819
return


Variant 60:  
1827
... placid ...
1819
return


Variant 61:  
1827
So, faltering not in this intent,
He makes his staff an instrument
The river's depth to sound—


1819
So toward the stream his head he bent,
And downward thrust his staff, intent
To reach the Man who there lay drowned.—


1820
return


Variant 62:  
1836
The meagre Shadow all this while—
What aim is his? ...

1819
return


Variant 63:  
1836
That Peter on his back should mount
He shows a wish, well as he can,
"I'll go, I'll go, whate'er betide—
He to his home my way will guide,
The cottage of the drowned man."




1819
But no—his purpose and his wish
The Suppliant shews, well as he can;
Thought Peter whatsoe'er betide
I'll go, and he my way will guide
To the cottage of the drowned man.




1820
return


Variant 64:  
1836
This utter'd, Peter mounts forthwith
1819
This hoping,
1820
Encouraged by this hope, he mounts
1827
This hoping, Peter boldly mounts
1832
return


Variant 65:  
1827
The
1819
return


Variant 66:  
1836
And takes his way ...
1819
return


Variant 67:  
1840
Holding ...
1819
return


Variant 68:  
1840 and C.
What seeks the boy?—the silent dead!
1819
Seeking for whom?— ...
1836
return


Variant 69:  
1836
Whom he hath sought ...
1819
return


Variant 70:  
1820
... doth rightly spell;
1819
return


Variant 71:  
1836
... noise ...
1819
return


Variant 72:  
1820
... to gain his end
1819
return


Variant 73:  
1845
... footstep ...
1819
return


Variant 74:  
1836
... along a ...
1819
return


Variant 75:  
In the editions of 1819 and 1820 the following stanza occurs:
The verdant pathway, in and out,
Winds upwards like a straggling chain;
And, when two toilsome miles are past,
Up through the rocks it leads at last
Into a high and open plain.
return


Variant 76:  
1827
The ...
1819
return


Variant 77:  
1836
How blank!—but whence this rustling sound
Which, all too long, the pair hath chased!
—A dancing leaf is close behind,


1819
But whence that faintly-rustling sound
1820
But whence this faintly rustling sound
By which the pair have long been chased?

C.
return


Variant 78:  
1836
When Peter spies the withered leaf,
It yields no cure to his distress—

1819
return


Variant 79:  
1836
Ha! why this comfortless despair?
1819
return


Variant 80:  
1819
... the Creature's head;
1827
The text of 1845 returns to that of 1819.
return


Variant 81:  
1836
... those darting pains,
As meteors shoot through heaven's wide plains,
Pass through his bosom—and repass!


1819
return


Variant 82:  
1827
Reading, as you or I might read
At night in any pious book,

1819
return


Variant 83:  
1826
... the good man's taper,
1819
return


Variant 84:  
1836
The ghostly word, which thus was fram'd,
1819
... full plainly seen,
1827
return


Variant 85:  
1836
... to torment the good
1819
return


Variant 86:  
1836
I know you, potent Spirits! well,
How with the feeling and the sense
Playing, ye govern foes or friends.
Yok'd to your will, for fearful ends—



1819
return


Variant 87:  
1836
... I have often ...
1819
return


Variant 88:  
1836
And well I know ...
1819
return


Variant 89:  
1836
... and danc'd ...
1819
return


Variant 90:  
1836
... clearly ...
1819
return


Variant 91:  
1836
... hath ...
1819
return


Variant 92:  
1836
... to confound ...
1819
return


Variant 93:  
1836
But now the pair have reach'd a spot
Where, shelter'd by a rocky cove,

1819
Meanwhile the pair
1820
return


Variant 94:  
1836
The building seems, wall, roof, and tower,
1819
return


Variant 95:  
1836
Deep sighing as he pass'd along,
Quoth Peter, "In the shire of Fife,
'Mid such a ruin, following still
From land to land a lawless will,



1819
return


Variant 96:  
1827
Making, ...
1819
return


Variant 97:  
1836
As if confusing darkness came
1819
And a confusing
1832
While clouds of swimming darkness came
Over his eyesight with the sound.

C.
return


Variant 98:  
Italics were first used in the edition of 1820.
return


Variant 99:  
1836
A lonely house her dwelling was,
1819
return


Variant 100:  
1819
... her name ...
1820
The edition of 1827 returns to the text of 1819.
return


Variant 101:  
1820
Distraction reigns in soul and sense,
And reason drops in impotence
From her deserted pinnacle!


1820
return


Variant 102:  
1820
... ears ...
1819
return


Variant 103:  
1836
Though clamorous as a hunter's horn
Re-echoed from a naked rock,
'Tis from that tabernacle—List!


1819
The voice, though clamorous as a horn
Re-echoed by a naked rock,
Is from ....
1832
return


Variant 104:  
1819
... pious ...
C.
return


Variant 105:  
1836
'Tis said, that through prevailing grace
1819
return


Variant 106:  
1836
... shoulders scored
Meek beast! in memory of the Lord

1819
Faithful memorial of the Lord
C.
return


Variant 107:  
1836
In memory of that solemn day
1819
return


Variant 108:  
1836
Towards a gate in open view
Turns up a narrow lane; ...

1819
return


Variant 109:  
1836
Had gone two hundred yards, not more;
When to a lonely house he came;
He turn'd aside towards the same
And stopp'd before the door.



1819
return


Variant 110:  
1836
In hope ...
1819
return


Variant 111:  
1827
Close at ...
1819
return


Variant 112:  
1832
What could he do?—The Woman lay
1819
return


Variant 113:  
1836
... the sufferer ...
1819
return


Variant 114:  
1819
... stair ...
1820
The edition of 1827 returns to the text of 1819.
return


Variant 115:  
1836
And to the pillow gives ...
1819
return


Variant 116:  
1827
And resting on ...
1819
return


Variant 117:  
1827
He turns ...
1819
return


Variant 118:  
1836
... his inward grief and fear—
1819
... his sorrow and his fear—
C.
return


Variant 119:  
1827
... had ...
1819
return


Variant 120:  
1836
Towards ...
1819
return


Variant 121:  
1832
... repressed ...
1819
return





Footnote A:   The title in the two editions of 1819 was Peter Bell: A Tale in Verse. —Ed.
return to footnote mark


Footnote B:   In Dorothy Wordsworth's Alfoxden Journal the following occurs, under date April 20, 1798:
"The moon crescent. Peter Bell begun."
Ed.
return


Footnote C:   Romeo and Juliet, act II. scene ii. l. 44. This motto first appeared on the half-title of Peter Bell, second edition, 1819, under the advertisement of Benjamin the Waggoner, its first line being "What's a Name?" When The Waggoner appeared, a few days afterwards, the motto stood on its title-page. In the collective edition of the Poems (1820), it disappeared; but reappeared, in its final position, in the edition of 1827.—Ed.
return


Footnote D:   Julius Cæsar, act I. scene ii. l. 147.—Ed.
return


Footnote E:   Compare The Prelude, book iv. l. 47:
'the sunny seat
Round the stone table under the dark pine.'
Ed.
return


Footnote F:   In the dialect of the North, a hawker of earthen-ware is thus designated.—W. W. 1819 (second edition).
return


Footnote G:   Compare The Prelude, book v. l. 448:
'At last, the dead man, 'mid that beauteous scene
Of trees and hills and water, bolt upright
Rose, with his ghastly face, a spectre shape
Of terror.'
Ed.
return


Footnote H:  This and the next stanza were omitted from the edition of 1827, but restored in 1832.—Ed.
return


Footnote I:   The notion is very general, that the Cross on the back and shoulders of this Animal has the origin here alluded to.—W. W. 1819.
return


Footnote J:   I cannot suffer this line to pass, without noticing that it was suggested by Mr. Haydon's noble Picture of Christ's Entry into Jerusalem.—W. W. 1820.

Into the same picture Haydon "introduced Wordsworth bowing in reverence and awe." See the essay on "The Portraits of Wordsworth" in a later volume, and the portrait itself, which will be reproduced in the volume containing the Life of the poet.—Ed.
return


Footnote K:   The first and second editions of Peter Bell (1819) contained, as frontispiece, an engraving by J. C. Bromley, after a picture by Sir George Beaumont. In 1807, Wordsworth wrote to Sir George:
"I am quite delighted to hear of your picture for Peter Bell .... But remember that no poem of mine will ever be popular, and I am afraid that the sale of Peter would not carry the expense of engraving .... The people would love the poem of Peter Bell, but the public (a very different thing) will never love it."
Some days before Wordsworth's Peter Bell was issued in 1819, another 'Peter Bell' was published by Messrs. Taylor and Hessey. It was a parody written by J. Hamilton Reynolds, and issued as 'Peter Bell, a Lyrical Ballad', with the sentence on its title page, "I do affirm that I am the real Simon Pure." The preface, which follows, is too paltry to quote; and the stanzas which make up the poem contain allusions to the more trivial of the early Lyrical Ballads (Betty Foy, Harry Gill, etc.). Wordsworth's Peter Bell was published about a week later; and Shelley afterwards published his Peter Bell the Third. Charles Lamb wrote to Wordsworth, in May 1819:
"Dear Wordsworth—I received a copy of 'Peter Bell' a week ago, and I hope the author will not be offended if I say I do not much relish it. The humour, if it is meant for humour, is forced; and then the price!—sixpence would have been dear for it. Mind, I do not mean your 'Peter Bell', but a Peter Bell, which preceded it about a week, and is in every bookseller's shop window in London, the type and paper nothing differing from the true one, the preface signed W. W., and the supplementary preface quoting, as the author's words, an extract from the supplementary preface to the 'Lyrical Ballads.' Is there no law against these rascals? I would have this Lambert Simnel whipt at the cart's tail."
(The Letters of Charles Lamb, edited by A. Ainger, vol. ii. p. 20.)

Barron Field wrote on the title-page of his copy of the edition of Peter Bell, 1819,
"And his carcase was cast in the way, and the ass stood by it."
1 Kings xiii. 24.—Ed.
return





Sub-Footnote a:  This stanza, which was deleted from every edition of Peter Bell after the two of 1819, was prefixed by Shelley to his poem of Peter Bell the Third, and many of his contemporaries thought that it was an invention of Shelley's. See the note which follows this poem, p. 50. Crabb Robinson wrote in his Diary, June 6, 1812:
"Mrs. Basil Montagu told me she had no doubt she had suggested this image to Wordsworth by relating to him an anecdote. A person, walking in a friend's garden, looking in at a window, saw a company of ladies at a table near the window, with countenances fixed. In an instant he was aware of their condition, and broke the window. He saved them from incipient suffocation."
Wordsworth subsequently said that he had omitted the stanza only in deference to the "unco guid." Crabb Robinson remonstrated with him against its exclusion.—Ed.
return


1798 Contents
Main Contents




LinesA, composed a few miles above Tintern Abbey, on revisiting the Banks of the Wye during a tour, July 13, 1798B

Composed July 1798.—Published 1798

The Poem

[July 1798. No poem of mine was composed under circumstances more pleasant for me to remember than this. I began it upon leaving Tintern, after crossing the Wye, and concluded it just as I was entering Bristol in the evening, after a ramble of four or five days, with my sister. Not a line of it was altered, and not any part of it written down till I reached Bristol. It was published almost immediately after in the little volume of which so much has been said in these Notes, the Lyrical Ballads, as first published at Bristol by Cottle.—I. F.]

Included among the "Poems of the Imagination."—Ed.





The Poem


text variant footnote line number
Five years have past; five summers, with the length
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.—Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
'Mid groves and copses. Once again I see
These hedge-rows, hardly hedge-rows, little lines
Of sportive wood run wild: these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees!
With some uncertain notice, as might seem
Of vagrant dwellers in the houseless woods,
Or of some Hermit's cave, where by his fire
The Hermit sits alone.
        These beauteous forms,
Through a long absence, have not been to me
As is a landscape to a blind man's eye:
But oft, in lonely rooms, and 'mid the din
Of towns and cities, I have owed to them,
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind,
With tranquil restoration:—feelings too
Of unremembered pleasure: such, perhaps,
As have no slight or trivial influence
On that best portion of a good man's life,
His little, nameless, unremembered, acts
Of kindness and of love. Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world,
Is lightened:—that serene and blessed mood,
In which the affections gently lead us on,—
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul:
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things.
        If this
Be but a vain belief, yet, oh! how oft—
In darkness and amid the many shapes
Of joyless daylight; when the fretful stir
Unprofitable, and the fever of the world,
Have hung upon the beatings of my heart—
How oft, in spirit, have I turned to thee,
O sylvan Wye! thou wanderer thro' the woods,
How often has my spirit turned to thee!
        And now, with gleams of half-extinguished thought,
With many recognitions dim and faint,
And somewhat of a sad perplexity,
The picture of the mind revives again:
While here I stand, not only with the sense
Of present pleasure, but with pleasing thoughts
That in this moment there is life and food
For future years. And so I dare to hope,
Though changed, no doubt, from what I was when first
I came among these hills; when like a roe
I bounded o'er the mountains, by the sides
Of the deep rivers, and the lonely streams,
Wherever nature led: more like a man
Flying from something that he dreads, than one
Who sought the thing he loved. For nature then
(The coarser pleasures of my boyish days,
And their glad animal movements all gone by)
To me was all in all.—I cannot paint
What then I was. The sounding cataract
Haunted me like a passion: the tall rock,
The mountain, and the deep and gloomy wood,
Their colours and their forms, were then to me
An appetite; a feeling and a love,
That had no need of a remoter charm,
By thought supplied, nor any interest
Unborrowed from the eye.—That time is past,
And all its aching joys are now no more,
And all its dizzy raptures. Not for this
Faint I, nor mourn nor murmur; other gifts
Have followed; for such loss, I would believe,
Abundant recompence. For I have learned
To look on nature, not as in the hour
Of thoughtless youth; but hearing oftentimes
The still, sad music of humanity,
Nor harsh nor grating, though of ample power
To chasten and subdue. And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air,
And the blue sky, and in the mind of man:
A motion and a spirit, that impels
All thinking things, all objects of all thought,
And rolls through all things. Therefore am I still
A lover of the meadows and the woods,
And mountains; and of all that we behold
From this green earth; of all the mighty world
Of eye, and ear,—both what they half create,
And what perceive; well pleased to recognise
In nature and the language of the sense,
The anchor of my purest thoughts, the nurse,
The guide, the guardian of my heart, and soul
Of all my moral being.
        Nor perchance,
If I were not thus taught, should I the more
Suffer my genial spirits to decay:
For thou art with me here upon the banks
Of this fair river; thou my dearest Friend,
My dear, dear Friend; and in thy voice I catch
The language of my former heart, and read
My former pleasures in the shooting lights
Of thy wild eyes, Oh! yet a little while
May I behold in thee what I was once,
My dear, dear Sister! and this prayer I make,
Knowing that Nature never did betray
The heart that loved her; 'tis her privilege,
Through all the years of this our life, to lead
From joy to joy: for she can so inform
The mind that is within us, so impress
With quietness and beauty, and so feed
With lofty thoughts, that neither evil tongues,
Rash judgments, nor the sneers of selfish men,
Nor greetings where no kindness is, nor all
The dreary intercourse of daily life,
Shall e'er prevail against us, or disturb
Our cheerful faith, that all which we behold
Is full of blessings. Therefore let the moon
Shine on thee in thy solitary walk;
And let the misty mountain-winds be free
To blow against thee: and, in after years,
When these wild ecstasies shall be matured
Into a sober pleasure; when thy mind
Shall be a mansion for all lovely forms,
Thy memory be as a dwelling-place
For all sweet sounds and harmonies; oh! then,
If solitude, or fear, or pain, or grief,
Should be thy portion, with what healing thoughts
Of tender joy wilt thou remember me,
And these my exhortations! Nor, perchance—
If I should be where I no more can hear
Thy voice, nor catch from thy wild eyes these gleams
Of past existence—wilt thou then forget
That on the banks of this delightful stream
We stood together; and that I, so long
A worshipper of Nature, hither came
Unwearied in that service: rather say
With warmer love—oh! with far deeper zeal
Of holier love. Nor wilt thou then forget,
That after many wanderings, many years
Of absence, these steep woods and lofty cliffs,
And this green pastoral landscape, were to me
More dear, both for themselves and for thy sake!



Contents



1

2







3









4





5


6
























7

























8









9

C

D













E




































































F




















G













H





























B




5




10




15




20




25




30




35




40




45




50




55




60




65




70




75




80




85




90




95




100




105




110




115




120




125




130




135




140




145




150




155




160







Variant 1:  
1845
... sweet ...
1798
return


Variant 2:  
1827
Which ...
1798
return


Variant 3:  
1845
... with their unripe fruits,
Among the woods and copses lose themselves,
Nor, with their green and simple hue, disturb
The wild green landscape ...



1798
Are clad in one green hue, and lose themselves
Among the woods and copses, nor disturb

1802
return


Variant 4:  
1827
... Though absent long,
These forms of beauty have not been to me,

1798
return


Variant 5:  
1798
... inmost mind
MS.
return


Variant 6:  
1820
As may have had no trivial influence
1798
return


Variant 7:  
1798
... wood,
1798 (some copies)
return


Variant 8:  
1836
... or ...
1798
return


Variant 9:  
1800
Not ...
1798
return





Footnote A:   I have not ventured to call this Poem an Ode; but it was written with a hope that in the transitions, and the impassioned music of the versification would be found the principal requisites of that species of composition.—W. W. 1800.
return to footnote mark


Footnote B:   The title in 1798 was Lines, written a few miles, etc. In 1815 it assumed its final form.—Ed.
return


Footnote C:   Compare the Fenwick note to the poem Guilt and Sorrow (vol. i. p.78) This visit, five years before, was on his way from "Sarum plain," on foot and alone—after parting with his friend William Calvert—to visit another friend, Robert Jones, in Wales.—Ed.
return


Footnote D:   The river is not affected by the tides a few miles above Tintern.— W. W. 1798.
return


Footnote E:   In the edition of 1798, an additional line is here introduced, but it is deleted in the errata. It is
'And the low copses—coming from the trees.'
Ed.
return


Footnote F:  Compare The Prelude, book xi. l. 108:
'Bliss was it in that dawn to be alive,
But to be young was very Heaven.'
Ed.
return


Footnote G:   This line has a close resemblance to an admirable line of Young, the exact expression of which I cannot recollect.—W. W. 1798.

It is the line:
'And half-create the wondrous world they see.'
Night Thoughts, (Night vi. l. 427).—Ed.
return


Footnote H:   Compare, in The Recluse, canto "Home at Grasmere," l. 91:
Her voice was like a hidden Bird that sang,
The thought of her was like a flash of light,
Or an unseen companionship.
Ed.
return


1798 Contents
Main Contents




There was a Boy

Composed 1798.—Published 1800

The Poem

[Written in Germany, 1799. This is an extract from the Poem on my own poetical education. This practice of making an instrument of their own fingers is known to most boys, though some are more skilful at it than others. William Raincock of Rayrigg, a fine spirited lad, took the lead of all my schoolfellows in this art.—I. F.]

This "extract" will be found in the fifth book of The Prelude, ll. 364-397. It was included among the "Poems of the Imagination." In the editions of 1800 to 1832 it had no title, except in the table of contents. In 1836, the finally adopted title of the poem was given in the text, as well as in the table of contents.—Ed.


The Poem


text variant footnote line number
There was a Boy; ye knew him well, ye cliffs
And islands of Winander!—many a time,
At evening, when the earliest stars began
To move along the edges of the hills,
Rising or setting, would he stand alone,
Beneath the trees, or by the glimmering lake;
And there, with fingers interwoven, both hands
Pressed closely palm to palm and to his mouth
Uplifted, he, as through an instrument,
Blew mimic hootings to the silent owls,
That they might answer him.—And they would shout
Across the watery vale, and shout again,
Responsive to his call,—with quivering peals,
And long halloos, and screams, and echoes loud
Redoubled and redoubled; concourse wild
Of jocund din! And, when there came a pause
Of silence such as baffled his best skill:
Then, sometimes, in that silence, while he hung
Listening, a gentle shock of mild surprise
Has carried far into his heart the voice
Of mountain-torrents; or the visible scene
Would enter unawares into his mind
With all its solemn imagery, its rocks,
Its woods, and that uncertain heaven received
Into the bosom of the steady lake.

        This boy was taken from his mates, and died
In childhood, ere he was full twelve years old.
Pre-eminent in beauty is the vale
Where he was born and bred: the church-yard hangs
Upon a slope above the village-school;
And, through that church-yard when my way has led
On summer-evenings, I believe, that there
A long half-hour together I have stood
Mute—looking at the grave in which he lies!



Contents

Note


1












2
3









4
5

6


7

8


































A




5




10




15




20




25





30









Variant 1:  
1815
... when the stars had just begun
1800
return


Variant 2:  
1836
... a wild scene
Of mirth and jocund din! ...

1800
... concourse wild
1805
return


Variant 3:  
1836
... And, when it chanced
That pauses of deep silence mock'd his skill,

1800
... and, when a lengthened pause
Of silence came and baffled his best skill,

The Prelude, 1850
return


Variant 4:  
This and the following line were added in 1805.
return


Variant 5:  
1815
... ere he was ten years old.
1805
return


Variant 6:  
1845
Fair are the woods, and beauteous is the spot,
The vale where he was born: the Church-yard hangs

1800
Fair is the spot, most beautiful the Vale
Where he was born: the grassy Church-yard hangs

1827
The text of 1840 returns to that of 1800.
return


Variant 7:  
1836
And there along that bank when I have pass'd
At evening, I believe, that near his grave

1800
... I believe, that oftentimes
1805
And through that Church-yard when my way has led
1827
return


Variant 8:  
1815
A full half-hour together I have stood,
Mute—for he died when he was ten years old.

1800
Mute—looking at the grave in which he lies.
1805
return





Footnote A:   In The Prelude the version of 1827 is adopted for the most part.—Ed.
return to footnote mark


Footnote B:  See Graduati Cantabrigienses (1850), by Joseph Romily, the Registrar to the University 1832-1862.—Ed.
return





Wordsworth sent this fragment in MS. to Coleridge, who was then living at Ratzeburg, and Coleridge wrote in reply on the 10th Dec. 1798:
"The blank lines gave me as much direct pleasure as was possible in the general bustle of pleasure with which I received and read your letter. I observed, I remember, that the 'fingers woven,' etc., only puzzled me; and though I liked the twelve or fourteen first lines very well, yet I liked the remainder much better. Well, now I have read them again, they are very beautiful, and leave an affecting impression. That
'uncertain heaven received
Into the bosom of the steady lake,'
I should have recognised anywhere; and had I met these lines, running wild in the deserts of Arabia, I should have instantly screamed out 'Wordsworth'!"
The MS. copy of this poem sent to Coleridge probably lacked the explanatory line,
'Pressed closely palm to palm and to his mouth,'
as another MS., in the possession of the poet's grandson, lacks it; and the line was possibly added—as the late Mr. Dykes Campbell suggested—"in deference to S. T. C.'s expression of puzzlement."

Fletcher Raincock—an elder brother of the William Raincock referred to in the Fenwick note to this poem, as Wordsworth's schoolfellow at Hawkshead—was with him also at Cambridge. He attended Pembroke College, and was second wrangler in 1790B. John Fleming of Rayrigg, his half-brother—the boy with whom Wordsworth used to walk round the lake of Esthwaite, in the morning before school-time, ("five miles of pleasant wandering")—was also at St. John's College, Cambridge, at this time, and had been fifth Wrangler in the preceding year, 1789. He is referred to both in the second and the fifth books of The Prelude (see notes to that poem). It is perhaps not unworthy of note that Wrangham, whose French stanzas on "The Birth of Love" Wordsworth translated into English, was in the same year—1789—third Wrangler, second Smith's prizeman, and first Chancellor's medallist; while Robert Greenwood, "the Minstrel of the Troop," who "blew his flute, alone upon the rock" in Windermere,—also one of the characters referred to in the second book of The Prelude,—was sixteenth Wrangler in Wordsworth's year, viz. 1791. William Raincock was at St. John's College, Cambridge.—Ed.



1798 Contents
Main Contents




The Two Thieves; or, the Last Stage of Avarice

Composed 1798.—Published 1800

The Poem


[This is described from the life, as I was in the habit of observing when a boy at Hawkshead School. Daniel was more than eighty years older than myself when he was daily, thus occupied, under my notice. No books have so early taught me to think of the changes to which human life is subject, and while looking at him I could not but say to myself—we may, one of us, I or the happiest of my playmates, live to become still more the object of pity, than this old man, this half-doating pilferer.—I. F.]

Included among the "Poems referring to the Period of Old Age."—Ed.


The Poem


text variant footnote line number
O now that the genius of Bewick were mine,
And the skill which he learned on the banks of the Tyne,
Then the Muses might deal with me just as they chose,
For I'd take my last leave both of verse and of prose.

What feats would I work with my magical hand!
Book-learning and books should be banished the land:
And, for hunger and thirst and such troublesome calls,
Every ale-house should then have a feast on its walls.

The traveller would hang his wet clothes on a chair;
Let them smoke, let them burn, not a straw would he care!
For the Prodigal Son, Joseph's Dream and his sheaves,
Oh, what would they be to my tale of two Thieves?

The One, yet unbreeched, is not three birthdays old,
His Grandsire that age more than thirty times told;
There are ninety good seasons of fair and foul weather
Between them, and both go a-pilfering together.

With chips is the carpenter strewing his floor?
Is a cart-load of turf at an old woman's door?
Old Daniel his hand to the treasure will slide!
And his Grandson's as busy at work by his side.

Old Daniel begins; he stops short—and his eye,
Through the lost look of dotage, is cunning and sly:
'Tis a look which at this time is hardly his own,
But tells a plain tale of the days that are flown.

He once had a heart which was moved by the wires
Of manifold pleasures and many desires:
And what if he cherished his purse? 'Twas no more
Than treading a path trod by thousands before.

'Twas a path trod by thousands; but Daniel is one
Who went something farther than others have gone,
And now with old Daniel you see how it fares;
You see to what end he has brought his grey hairs.

The pair sally forth hand in hand: ere the sun
Has peered o'er the beeches, their work is begun:
And yet, into whatever sin they may fall,
This child but half knows it, and that not at all.

They hunt through the streets with deliberate tread,
And each, in his turn, becomes leader or led;
And, wherever they carry their plots and their wiles,
Every face in the village is dimpled with smiles.

Neither checked by the rich nor the needy they roam;
For the grey-headed Sire has a daughter at home,
Who will gladly repair all the damage that's done;
And three, were it asked, would be rendered for one.

Old Man! whom so oft I with pity have eyed,
I love thee, and love the sweet Boy at thy side:
Long yet may'st thou live! for a teacher we see
That lifts up the veil of our nature in thee.



Contents



1


2








3


4


5








6





7








8
9




10






A

























































B





5





10





15





20






25





30





35





40






45








Variant 1:  
1800
Oh! now that the boxwood and graver were mine,
Of the Poet who lives on the banks of the Tyne,
Who has plied his rude tools with more fortunate toil
Than Reynolds e'er brought to his canvas and oil.



MS. 1798
return


Variant 2:  
1800
Then Books, and Book-learning, I'd ring out your knell,
The Vicar should scarce know an A from an L.

MS. 1798.
return


Variant 3:  
1820
Little Dan is unbreech'd, he is three birth-days old,
1800
return


Variant 4:  
1837
... a-stealing ...
1800
return


Variant 5:  
1827
... of peats ...
1800
return


Variant 6:  
1820
Dan once ...
1800
return


Variant 7:  
1800
'Twas a smooth pleasant pathway, a gentle descent,
And leisurely down it, and down it, he went.

MS. 1798.
return


Variant 8:  
1802
... street ...
1800
return


Variant 9:  
1837
... is both leader and led;
1800
return


Variant 10:  
1837
For grey-headed Dan ...
1800
The grey-headed Sire ...
1820
return





Footnote A:   Thomas Bewick, the wood engraver, born at Cherryburn, near Newcastle-on-Tyne, in 1753, died 1828. He revived the art of wood engraving in England. His illustrations—drawn for the General History of British Quadrupeds (1790), and for his own History of British Birds (1797 and l804)—were unrivalled in their way.—Ed.
return to footnote mark


Footnote B:   Charles Lamb, writing to Wordsworth in 1815, spoke of
"that delicacy towards aberrations from the strict path, which is so fine in the 'Old Thief and the Boy by his side,' which always brings water into my eyes."
(See Letters of Charles Lamb, edited by Alfred Ainger, vol. i. p. 287.)—Ed.
return


1798 Contents
Main Contents




Written with a Slate Pencil upon a Stone, the largest of a Heap lying near a Deserted Quarry, upon one of the IslandsA at Rydal

Composed 1798.—Published 1800

The Poem

Included among the "Inscriptions."—Ed.


The Poem


text variant footnote line number
Stranger! this hillock of mis-shapen stones
Is not a Ruin spared or made by time,
Nor, as perchance thou rashly deem'st, the Cairn
Of some old British Chief: 'tis nothing more
Than the rude embryo of a little Dome
Or Pleasure-house, once destined to be built
Among the birch-trees of this rocky isle.
But, as it chanced, Sir William having learned
That from the shore a full-grown man might wade,
And make himself a freeman of this spot
At any hour he chose, the prudent Knight
Desisted, and the quarry and the mound
Are monuments of his unfinished task.
The block on which these lines are traced, perhaps,
Was once selected as the corner-stone
Of that intended Pile, which would have been
Some quaint odd plaything of elaborate skill,
So that, I guess, the linnet and the thrush,
And other little builders who dwell here,
Had wondered at the work. But blame him not,
For old Sir William was a gentle Knight,
Bred in this vale, to which he appertained
With all his ancestry. Then peace to him,
And for the outrage which he had devised
Entire forgiveness!—But if thou art one
On fire with thy impatience to become
An inmate of these mountains,—if, disturbed
By beautiful conceptions, thou hast hewn
Out of the quiet rock the elements
Of thy trim Mansion destined soon to blaze
In snow-white splendour,—think again; and, taught
By old Sir William and his quarry, leave
Thy fragments to the bramble and the rose;
There let the vernal slow-worm sun himself,
And let the redbreast hop from stone to stone.



Contents

1



2
3



4




5





6








7

































B







5




10




15




20




25




30










Variant 1:  
1837
Is not a ruin of the ancient time,
1800
... antique ...
MS.
return


Variant 2:  
1802
... which was to have been built
1800
return


Variant 3:  
1800
Of some old British warrior: so, to speak
The honest truth, 'tis neither more nor less
Than the rude germ of what was to have been
A pleasure-house, and built upon this isle.



MS.
return


Variant 4:  
1837
... the Knight forthwith
1800
return


Variant 5:  
1837
Of the ...
1800
return


Variant 6:  
1800
Bred here, and to this valley appertained
MS. 1798.
return


Variant 7:  
1800
... glory, ...
1802
The text of 1815 returns to that of 1800.
return





Footnote A:   In a MS. copy this is given as "the lesser Island."—Ed.
return to footnote mark


Footnote B:   Compare Wordsworth's
"objections to white, as a colour, in large spots or masses in landscape,"
in his Guide through the district of the Lakes (section third).—Ed.
return


1798 Contents
Main Contents






end of Volume II: 1798 1799
Main Contents







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